Apollo’s Fire – Bach’s Coffeehouse

The Cleveland Baroque Orchestra—16 Musicians on Stage

Tuesday, March 20, 7:00 pm

Location:
Fuller Hall
St. Johnsbury Academy
1000 Main St.St. Johnsbury, VT

Tickets: $54, $44, $34, $24, $15 (students free)

Save 20% when you buy by February 18th. Discount is automatically reflected when you choose your seats.

Seniors and Catamount Arts members save $3.00 when ordering in person with id at the box office.

As performed in sold-out concerts at Tanglewood and the BBC Proms (2015) – and just a couple of days before their Carnegie Hall Concert. “A Night at Bach’s Coffeehouse” presents Apollo’s Fire and director/harpsichordist Jeannette Sorrell in music of J.S. Bach and his most admired colleagues. Inspired by the lively coffeehouse concerts led by Bach in 18th-century Leipzig – fiery strings, colorful recorders and a dizzying harpsichord solo… an evening of rampant virtuosity!

This performance includes the planned Carnegie Hall Program: Brandenburgs no. 4 & 5, Telemann’s Don Quixote Suite, Handel’s Terpsichore Chaconne, and Sorrell’s acclaimed arrangement of Vivaldi’s La Folia (“Madness”) which the group performs from memory

.

“Apollo’s Fire has forged a vibrant, life-affirming approach to the re-making of early music… European ears have begun to appreciate the blend of intellect and artistry concocted by harpsichordist Sorrell and her colleagues. Their seductive vision of musical authenticity is guided by a shared commitment to honest emotional expression, rooted in period style yet never its slave.” — BBC Music Magazine

“Visually charged, minutely stage-managed musical theatrics from Jeannette Sorrell and her irrepressible team of musicians… Utterly sensational, every phrase a Baroque curlicue dipped in gold and then embellished still further. Charismatic and boundlessly energetic… this is Baroque music in its unbuttoned state.” — TheArtsDesk, London

“Under the inspired direction of Jeannette Sorrell, Apollo’s Fire has become one of the pre-eminent period-instrument ensembles, causing one to hear familiar baroque material anew.” — The Independent, London

“Apollo’s Fire is one of the brightest lights of period-instrument playing in the United States… arguably the most distinctive in sound and memorable in style. Its trademark qualities: expressive subtlety, exuberance and passion.” –Classical Music Magazine, London

“This swaggering version… makes the most of the variety of instrumental color Bach so exhilaratingly put on show. Two harpsichord concertos BWV 1052 and 1056 are both brilliantly played, as is the keyboard part in the Fifth Brandenburg, by Sorrell.” — The Sunday Times, London (reviews of Bach Concertos CD)

“These excellent young musicians take a highly gestural approach to phrasing and bring across their music with an exuberant musicality, like wind through a forest. Easily one of the most enjoyable concerts of the season.” — The Boston Globe